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Packaging & design

Luxury: How glass is reinventing itself

From tradition to innovation, the round table organized by the European Container Glass Federation (FEVE) on the occasion of the 2017 edition of Luxe Pack Monaco gave an opportunity to take stock of the major trends impact the future of glass as a high-end packaging material.

The panel - chaired by Michel Fontaine, President of the Conseil National de l’Emballage and gathering representatives from Europe’s main manufacturers - insisted on the challenging demands faced by luxury brands, which are more and more under pressure from an increasingly global and consumer-centric market.

Trust and sustainability

Indeed, according to the panel members, consumers no longer just passively buy a product, they want to know a lot more about the brand, how it is produced and what the company stands for.

The European glass flaconnage sector is partnering with customers to help reduce products environmental footprint through packaging innovation e.g. glass lightweighting, carbon footprint evaluation, and resources efficiency throughequipment optimization,” commented Isabelle Lallemant, Group Marketing and Innovation Director at Groupe Pochet.

Embedded in the European cultural heritage this industry benefits from a strong and transparent corporate social identity that adds equity value to brands. “Consumers trust glass for its authenticity as a packaging, and as an industry that’s enrooted in the history of Europe,” commented Simone Baratta, Prestige Perfume Business Unit Director of Bormioli Luigi. “Innovation and sustainable production are genuinely integrated with this heritage.”

Innovation

With such strong traditions as a basis, the industry addresses new demands from brands and final consumers by heavily investing in the improvement of its processes and products.

The industry is adapting to keep relevant with the digital Big Bang,” declared Etienne Gruyez from Stölzle Masnières. “Today for example we can provide new finished samples to our customers in less than 4 weeks thanks to a complete digitalization of the design phase. Digital printing allows us also to minimize errors and reduce costs.

Brands want to have ease of access to high quality packaging solutions that meet increasingly demanding design and technological requirements.

This can only be achieved with the most advanced know how in glass production. Brands also want to have more environment friendly solutions. Today we are able to provide innovative measurement tools and products that help customers to reduce their environmental impact,” according to Samuel Joachim, Group Innovation and Development Director in Verescence.

Emotion

The authenticity of glass material is also the unique and precious emotional touch point brands can count on.

Emotion is the key driver in the conception of new flacons and we work tightly with customers to make sure the really fit with the product identity,” ensured François Cheru, Sales Director of Verreries Brosse.

Actually, unlike any other packaging materials, glass is loved by consumers. According to a recent consumer survey carried by the consumer platform Friends of Glass, 85% of European consumers recommend glass as packaging for their best loved products.

It is the only material which naturally stirs emotion through its touch, feel, its unique design, its weight and makes products stand out on shelves”, says Virginia Elliott, Global Head of Sales for Heinz Glas Group, “brands rely on glass to create consumer empathy, communicate the elegance and prestige of their products. We can now create this empathy also through digital applications which will allow consumers to own unique products”.

Portfolio

  • Bormioli Luigi at Luxe Pack Monaco 2017
  • Verreries Brosse at Luxe Pack Monaco 2017
  • Verescence at Luxe Pack Monaco 2017
  • Pochet's light glass range Epure was award the Luxe Pack in Green Award at (...)
  • Luxe Pack Monaco 2017
  • Verescence - Mineral Glass
  • Verescence - High Jewelry Glass
  • At Luxe Pack Monaco the European Container Glass Federation (FEVE) (...)
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